March Wind Moon: Elen, Deer and Ash

The month of March is named for the Roman god of war, Mars. A time of winds and storms, blizzards and frost, this blustery month continues to stir things up from the depths, until the Equinox half way through when in the North the power of the Sun reaches tipping point, ushering in the full blossoming of spring. Blackthorn is now already in bloom, and primrose, crocus and daffodil push themselves out of the Earth to spangle the landscape with cheerful yellow bells, dancing in the wind and the promise of the warmth to come.

In the Celtic tree alphabet, the period between February 18th and March 17th was ruled over by ash (N, nuin), one of the most sacred trees in both Celtic and Norse tradition. A symbol of strength, even the warrior aspect as befits the  month of March, this tree can strangle the roots of other trees and block out sunlight with its canopy, but can also hold its power in water and is often planted in marshlands and by the sides of holy wells. It is therefore associated with deep ancestral wisdom, especially in Norse mythology, where the World Tree is said to be an ash. Yggdrasil holds the nine realms of the cosmos within its branches and roots and is tended by the Norns, the weavers of fate and destiny who spin the fabric of the world into existence and carve magical runes into the trunk. Each morning the leaves of Yggdrasil fill the valley with a sweet glimmering dew that holds the memory of yesterday. One of the Norns collects this precious elixir and pours into the well of Urd, the Well of Memory. In this way, the wisdom of yesterday can be brought forth to the present, and the world is kept healthy and in balance.

The World Tree is also associated with several magical animals, one of which is a deer, or stag, that feasts on the branches and allows the waters to flow through his antlers into the wells and rivers. In Celtic mythology, the deer, or hind, is also sacred and firmly linked to the realm of the Otherworld. Fairy women are said to take the form of deer, and a white hind is considered to be one of the most magical of all messengers. In Welsh mythology, the stag is named as one of the five oldest animals in the world and counted as one of the five totem beasts of Britain.

The connection between humans and deer is an ancient one that extends back well into the Ice Age. Thousands of years ago, the massive Irish elk walked the Earth, standing at over two metres tall with antlers that extended out another 3.5 m, and the wild reindeer herds roamed extensively over most of Western Europe. Some of the most exquisite Ice Age art features reindeer, for example the Magdalenian mammoth tusk ivory showing reindeer swimming (now in the British Museum) and the cave paintings at Font-de-Gaume France (see above). It was probably during this time, when the hunter gatherers of the Ice Age roamed the land in harmony with the seasons that the ancestral antlered goddess of Britain was born. Elen of the Ways as we now call her, the guardian spirit who through the reindeer herds led us to safe living during both the natural abundance of summer and the harshness of the snow-covered winters. The reindeer instinctively knew the ancient migration paths and trusted the grandmother deer of the herd to lead them to fresh pasture. Our ancestors in turn would follow the deer trods, which became sacred pathways or song lines on the Earth, often following geological patterns, water courses and prominent landscape features. These ancient pathways still crisscross the land like threads in a cobweb and have been honoured as sacred for many thousands of years, walked by generations in search of nourishment, both physical and spiritual. Sometimes they are straight like ley lines, other times they curve and meander like threads or song lines, and sometimes they connect with deep tectonic forces as dragon lines. They can still be felt in the landscape today and often link stone circles, megalithic sites, sacred wells and burial mounds with geological and other features.

Knowledge of this Palaeolithic ancestral land spirit has been preserved in the story of Elen and King Macsen in the Mabinogion, the ancient Welsh book of mythology. According to the tale known as ‘The Dream of Mascen Wledig,’ Macsen was the emperor of Rome and was there known as Maximus. One day, whilst out hunting, he and his men rested awhile by the river Tiber and as he slept, he dreamed that he was in an enchanted land surrounded by mountains where he came upon the most lovely island he had ever seen.   There in a magnificent castle in the centre of this island, he found himself in a splendid hall and here, seated on a throne, was the most beautiful woman in the world. But alas, just as Macsen was about to sit down and embrace her on her throne of gold, he woke up. Never had he been so bereft, and his days were filled with a love-sick yearning. Eventually, he sends out thirteen men from the place of his dream to find the enchanted land with the beautiful woman – and after much journeying they managed to do so, in the vicinity of Snowdonia at Aber Sain in Wales.[1]

The messengers tell Elen of the intentions of the emperor and though she is impressed, she insists that he should come in person to Wales to ask her hand in marriage – which of course he does. As a wedding gift Elen asks that three castles should be made for her in places of her choosing, and she then builds a network of magical roads between them, known today as Sarn Elen. This ancient track can still be partially followed and links Aberconwy in the north with Carmarthen further south. Elen of the Ways guards the ancient deer trods of the land, the paths that are often silver and sparkle under the moonlight when the chalk bedrock appears at the surface. She emerges in the ancient forests and woodlands where the secret pathways of animals and insects cross and mesh, where the underground mycelium connects all life in an unseen web. Her energy can be felt as we connect the ley lines of the Earth, grids that criss-cross the land in a form palpable to humans. As we continue to re-sensitise ourselves to the subtle energies of the Earth, it is fitting that Elen has been recognised and named in connection the Belinus line, the ley line that runs up the centre of the British Isles and is complemented by the more subtle energies of Elen. [2]


[1] See Sharon Blackie ‘If Women Rose Rooted’ for more details

[2] See Gary Biltcliffe’s  work on the Belinus Line for more details

The Michael Mary Line: Part I

Stretching some 350 km from the far west of Cornwall to the east coast of Norfolk, the Michael Mary Line is probably the most famous ley line in the world. Also known as the St Michael Alignment, some of Britain’s most sacred sites are situated on it, as well as numerous megaliths and churches dedicated to either St Michael/St George (the dragon slayers) and St Mary (the christianised Earth goddess).  John Michell first brought the line into awareness when he noticed the landscape alignments between the Glastonbury Tor and Burrow Mump in Somerset, both of which have churches of St Michael on their summits, but it was Hamish Miller and Paul Broadhurst who made it famous with their fantastic book of 1989, ‘The Sun and the Serpent.’ During an epic adventure to dowse the St Michael Alignment, the authors found the more subtle presence of a meandering Mary line, and discerned the existence of a long lost science that harnessed the energies of the Earth and Sun at cross-quarter days to fertilise, nurture and purify the Earth. One October weekend we set off to experience the energy of this special line for ourselves.

St George’s Church, Ogbourne St George (author’s photo)

The nodes, or points where the Michael and Mary currents cross, were of particular interest to us so we decided to start our trip at the village of Ogbourne St George near Marlborough. We stayed at the Inn with the Well and after a hearty breakfast and close-up encounter with the energies of the well, we went to the church of St George to track the Michael line. A team of local ladies were busily decorating with flowers in preparation for the forthcoming harvest festival and the energies in the church were peaceful and nurturing. Outside, the presence of a sheela-na-gig style gargoyle hinted at a more pagan origin to the site.

sheela-na-gig at St George’s Church (author’s photo)

The church itself is near the Ridgeway, an ancient track that has been walked for millenia by pilgrims and travellers alike, and often intimately linked with the Michael Mary line as it was here. The Ridgeway runs along an ancient chalk ridge, and it is this chalk bedrock that gives the landscape its particular energies. Chalk is soft and would crack along the many ancient fault lines that lie hidden beneath the surface of the rolling hills, and it is also porous, allowing water to flow along these cracks. Where there is water, electromagnetic energy can flow, and this could affect the conductivity of piezo-electric rocks like quartz at the surface, or else attract a particular energy field to the area which can then be felt by animals and those sensitive to Earth energies.

Snail on blue marker stone at the Sanctuary. The swirls on the shell were similar to the energy currents we felt there.

From Ogbourne St George it is a short drive to the next major nodal point of the line, the Sanctuary near Malborough. This ancient circular sanctuary is situated on top of Overton Hill, and dates back to around 3000 B.C.E. We could pick out the West Kennett long barrow and Silbury Hill in the surrounding landscape, and realised that the Sanctuary is unique as not only the Ridgeway but both the Michael and Mary currents cut across it. Later the stones of West Kennett Avenue were constructed to link this site to Avebury henge itself, reinforcing its use as a major ceremonial site. We could clearly feel the energies swirling in from the Avenue and the long barrow, and crossing over in the middle of the circle to form the head of the serpent before spiraling out back to Ogbourne St George from where we had just come.

West Kennett long barrow, author’s photo

The nearby Swallowhead spring was dry and the Winterbourne stream that rises here and flows into the River Kennett was choked with weeds. This seemed to have an impact on the energy of Silbury Hill, the energetic battery of the landscape, which is driven in part by the flow of water from the underground streams. It is interesting to note that the name ‘swallow’ is a common term for rivers found in areas of intermittent streams, often in chalk, to explain how a stream disappears into the ground and erupts elsewhere [1] Thankfully the energy of the long barrow at West Kennett did not seem affected by this stagnation and the ancestral and dragon energies were clearly discernible in this ancient birth/death canal.

Cross over point of Michael and Mary currents at Avebury

We followed the path of the line up to Avebury and were amazed when our newly purchased dowsing rods showed us the exact spot where the Michael and Mary currents crossed and left the henge. It was such a pleasure and a privilege to walk freely round these stones dating back to nearly 3000 B.C.E and experience this serpent temple of great antiquity at close quarters, which is no longer the case at near-by Stonehenge. We could feel where the currents joined at the end of the avenue as they entered the enclosure, but they felt rather sluggish. Whether this was due to the lack of water in the Swallowhead springs area, or the fact that this serpent temple was no longer being used for its original purpose, we could not tell.

St Michael and the Dragon, Cadbury (author’s photo)

The Tor at Glastonbury has a similar exhausted feel, walked by many people but honored by few. The tower of the ancient church of St Michael still stands but feels haunted by the events of the Reformation when the last abbot of Glastonbury was hung, draw and quartered here by Henry VIIIs men. A reminder of the distorting energies of the Church, both Catholic and Protestant, mirrored by the image of Michael as the dragon slayer, depicted stamping on or killing the very energy of the line itself. The Michael Mary churches may have preserved the knowledge of the line, but the main intent of those who built them was to control and dominate.

According to Broadhurst and Miller,[2] the line with its azimuth of around 242 degrees is aligned to the rising Sun at Beltane, the ancient fire festival celebrated around the 8th May, and we were starting to realise just how powerful this insight was. All over the ancient world, bonfires would be lit to celebrate the power of the returning Sun as it fertilises and fructifies the Earth bringing forth a profusion of abundance and beauty. Furthermore, the fires were lit on top of the hills and mounds along the line, visible like beacons across the landscape, each one signalling the lighting of the next. In this way the power of the Sun (at the Beltane cross quarter point) would have been drawn down by the fires, then driven by the flow of water along the line, purifying and cleansing the Earth energies as it went. The people gathered in ceremony at the nodes along the line would themselves have been nurtured and nourished by the energies in a two-way flow that manifested in the bounty of nature around them. All would have been well in Heaven and Earth, bringing a sense of harmony and well-being that we no longer have in our disconnected modern world.

Michael Church, Burrow Bridge Mump

Away from Glastonbury we climbed the mump at Barrow Bridge and found our next nodal point. The church of St Michael on top is now partially ruined, but we could sense the Michael and Mary currents as they crossed over where the altar once stood. The energy was here clearer, less distorted, but still weak from lack of use. Gazing across the Somerset levels, we could see the Tor looming in the distance and visualised the energy flowing strong across the landscape towards it, so that the energy could flow back from Glastonbury like an alternating current generator. We had connected up the line from Ogbourne St George in Wiltshire right across Somerset and it was feeling good. As the day drew to a close, we headed off west in the direction of the setting Sun towards Dartmoor for the next part of our journey.


[1] Insearchof holywellsand healingsprings.com

[2] ‘The Sun and the Serpent’ by Hamish Miller and Paul Broadhurst, 1989, Pendragon Press